Surongo Film Review
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Surongo Film Review
In the captivating film review of "Surongo," we are immersed in the story of Masud, skillfully portrayed by Afran Nisho, and his profound love for his wife, Moyna, masterfully played by Toma Mirza. From the very start, we witness the challenges Masud faces in trying to satiate his wife's insatiable greed. Determined to provide for Moyna, Masud embarks on a journey abroad to earn more for their life in Bangladesh. However, upon his return, Masud is devastated to discover that Moyna has abandoned him for his friend, Zahir, portrayed by the talented Mostafa Monwar.
The film intricately weaves a tale of betrayal, love, and self-discovery as Masud confronts his wife and realizes that Moyna left him due to his inability to meet her extravagant demands. Fuelled by his desire to win back Moyna's affection, Masud hatches an audacious plan to break into the bank's impenetrable vault. This desperate gamble becomes a turning point in the story, highlighting the lengths one is willing to go for love.
In the first half, the screenplay tactfully takes its time to establish the primary motivation driving the protagonist. While it may seem a bit slow before the intermission, this deliberate pacing lays the foundation for a deeply heartfelt and emotionally resonant payoff in the second half. Viewers who exercise patience are rewarded as the screenplay gains momentum, propelling the narrative forward with an exhilarating pace.
"Surongo" is a film that effortlessly captures the complexities of human relationships and the consequences of unchecked greed. With its engaging plotline, compelling performances, and a skillfully crafted screenplay that strikes a delicate balance between introspection and intrigue, this cinematic masterpiece leaves an indelible impact on its audience. Prepare to be enchanted by the magic of "Surongo," a journey that will keep you on the edge of your seat while delving into the depths of love and sacrifice.
In the captivating role of the police officer assigned to apprehend Masud, Shahiduzzaman Selim brought immense pleasure to audiences, despite his limited screen time. His Chatgaiya accent, magnetic presence, and well-crafted dialogue breathed life into the entire theater whenever he appeared on screen. Surongo, with its mesmerizing cinematography, skillful color grading, and impressive set design, truly stands out. Following the success of Hawa a few months ago, Surongo presents yet another visual feast for local film enthusiasts. From start to finish, the film showcases the evident efforts of the dedicated crew and their meticulous pre-production planning. While the screenplay elevates the story to new heights, it is the outstanding performances that truly captivate. Afran Nisho delivers an expectedly excellent portrayal of Masud, skillfully portraying raw emotions and intense outrage in pivotal scenes. Nisho brilliantly captures Masud's gradual transformation from desperation to obsession and ultimately to mania. Additionally, Toma Mirza delivers a remarkably convincing performance, effectively provoking genuine loathing from the audience towards her character.
However, Surongo has its weaknesses. The background score, especially in the first half, sounded very predictable as every human emotion was backed by a score. The film lacked its share of silence which is crucial in sound design. The songs, albeit beautiful, were extremely loud to the point that the dialogues were inaudible. An item song was used to cater to the masses but felt unnecessary. Some of the edits throughout the film felt choppy.
But the audience is bound to forget these tiny shortcomings owing to the climax and Nisho's presence on the big screen. A runtime of almost two and a half hours might sound long but the jam-packed screenplay with multiple layers to the story makes it the debut Nisho deserved.