Hatyapuri Film Review
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Hatyapuri Film Review
In Hatyapuri, Sandip Ray introduces a fresh cast for Feluda, with Indraneil Sengupta, Abhijit Guha, and Ayush Das portraying Feluda, Jatayu, and Topshe respectively. The setting has been updated to the modern era, incorporating elements like cellphones and computers, while staying true to the original plot. The story follows the trio as they embark on a leisure trip to Puri, where they encounter a man who has a passion for collecting ancient manuscripts. They soon discover that these manuscripts are highly valuable, and there is a buyer eagerly awaiting the opportunity to purchase them.
Indraneil Sengupta's portrayal of Feluda initially comes across as slightly stiff, but as the plot unfolds, he settles into the role more convincingly. Abhijit Guha brings a slightly exaggerated quality to Jatayu, providing comic relief, although at times it may be slightly excessive. On the other hand, Ayush Das's performance as Topshe lacks conviction at times, with occasional cartoonish expressions, and his role is primarily reduced to delivering one-liners.
This modified passage reflects the adjustments made to address the feedback regarding the characterization and expressions of Ayush Das as Topshe.
Paran Bandopadhyay delivers a captivating performance as DG Sen, the manuscript-obsessed character, effectively creating intrigue. Shaheb Chatterjee's portrayal of Bilas Majumdar is refreshing and he does justice to his role. Subhasish Mukherjee showcases moments of brilliance in his performance, although at times his expressions may appear stereotypical, possibly to align with Jatayu's character. However, in a scene with Shaheb Chatterjee, he expertly captures attention as an astrologer with 'the sight'.
On the other hand, hastily shot scenes and a rushed backstory in the second half, while the first part is painfully slowed down, could have been better handled by the editing department. Footage of temples and shops selling items from Puri may have been intended to evoke nostalgia for the city, but it comes across more as a tourism video rather than effectively connecting with the audience.
With Hatyapuri, Sandip Ray presents a new vision for a modern Feluda, offering hope for future adaptations. However, in order to make a lasting impression on the audience, the story, background, and acting will need to be more impressive and impactful. This revised passage reflects the adjustments made while addressing the concerns raised regarding the editing and connection with the audience.