Baba Baby O Film Review
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Baba Baby O Film Review
Directed by Aritra Mukherjee, the film "Baba Baby O" delves into the various forms of paternal love found in different relationships. Starring Jisshu Sengupta and newcomer Solanki Roy, the movie sensitively explores the subject of surrogacy and delves into the complexities of modern-day romance.
The protagonist, Megh Roddur Chatterjee (played by Sengupta), is a successful individual who, in his 40s, decides to become a single father through surrogacy. While some people, including his relatives, struggle to understand his choice, Megh Roddur finds support from his parents, who shower love and affection on his twin babies.
While the film incorporates moments of brainless humor, as the narrative unfolds, it evolves into a mature tale that touches on modern-day romance. It delves into the complexities and emotional dynamics surrounding the concept of surrogacy, exploring the depth of paternal love in various relationships.
The heartwarming manner in which the subject of surrogacy is portrayed in the film contributes to its emotional resonance. It highlights the challenges, joys, and sacrifices that come with parenthood, emphasizing the unconditional love and support that can exist between a parent and their child.
In summary, "Baba Baby O" directed by Aritra Mukherjee is a film that explores the theme of paternal love through the lens of surrogacy. Despite incorporating elements of brainless humor, the movie gradually evolves into a mature and emotionally engaging narrative, depicting the complexities of modern-day romance and the profound bond between a parent and their child.
Sengupta's character's father, a self-professed progressive parent, however, begins to make assumptions about his son's sexual orientation and indirectly asks him whether he is a closeted homosexual after observing his intimacy with his best friend (Mainak Banerjee). Meanwhile, Megh Roddur’s life takes a fresh turn when he meets Brishti (Solanki Roy), who runs a toy store, and falls head over heels in love.
Brishti has a complicated relationship with her mother (Bidipta Chakraborty), and she hates babies as, according to her, they are nuisance makers. However, despite their differences, Brishti finds solace in Megh Roddur, who stands beside her in moments of crisis, without expressing his feelings for her.Brishti’s personal life increases in complexity when her fiancé Souvik (Gourab Chatterjee) arrives from Sydney and decides to take her back with him.
The biggest takeaway of the film is its depiction of a middle-aged man, who shoulders multiple responsibilities both in and outside the house, filling the void in his beloved, who is much younger than him. At the same time, he doesn’t expect her to reciprocate emotionally and is simply happy to have a companion.
Despite the tendency of critics to criticize onscreen romantic relationships with significant age gaps, the film challenges this notion by portraying how such bonds can be fulfilling, with each partner contributing in their own unique ways. It showcases the idea that love and connection can transcend age, and that mutual understanding and respect are essential in such relationships. Additionally, the film also addresses the theme of tolerance by highlighting the friendship between Megh Roddur and his gay best friend, emphasizing the importance of acceptance and support.
Jisshu Sengupta's portrayal of Megh Roddur's character is that of a non-judgmental and mature individual who empathizes with others, acknowledging both their strengths and vulnerabilities. He is portrayed as someone who has a tendency to accommodate people and adapt to various situations while suppressing his own emotions. Sengupta effortlessly embodies these traits, even if he may appear somewhat foolish in comedic moments.
Solanki Roy's performance as a modern, confused woman searching for love and validation adds a refreshing touch to the film. Her character is depicted as genuine and devoid of melodrama, making her dilemmas and desires relatable to the audience. She brings authenticity to her role, capturing the essence of a woman navigating through real-life challenges.
Chatterjee's portrayal of Souvik, a character who stands in stark contrast to Megh Roddur, is convincing and well-executed. With a distinct Australian accent, Chatterjee convincingly portrays the superficial nature of Souvik's personality.
Baba Baby O is worth a watch.